Philosophy is not an interest of mine, for to say that would imply that it is something separate from me. From my view it is already in everything; it is stitched into the very fabric of everything I see. It is the excitement as a living body that moves and thinks, the kind of joy and anxiety a dog has as it tries to decide what to do.
For a million questions press down on us every moment, and every second of living reveals a little more of what will wind up being our total answer to all of them. Having philosophy in one's soul is to have a hankering for truth at all times, while eating, while sitting on the steps looking at the receding glow of the sunset, while in conversation at a party. It's a life that carries tension as a suitcase, for one is always wondering; what is it I am supposed to be doing? What are we supposed to be talking about? Is there something more important than what I'm doing right now that deserves my attention? What should I say next? How should I be? What should I focus on in my head? How should I view people as I talk to them?
These are not interesting theoretical questions, reserved for dry reflection by masters of prose who wish to inspire us. They are every moment questions, ones that fill us up until we don't know what to do. We are in the world having been given a head flooded with thoughts—what are we to do?
For our control over the world is quite limited. You cannot stop any moment from happening. Think about time directly for just a few moments and this truth will slap one in the face; the world is rushing onward, and we are deciding how to spend our time, and who we are going to be. It is unavoidable: the responsibility of being a living creature is one that has been given to you. This reality fills every second, as we continue to move and think and breathe, even now, our words possibly invading reality once someone asks us a question in the very next moment.
And that is the control that we do have. For all the mechanics of the world that we may merely observe, and the onward march of time that heeds no man's complaints, we stand at the center of a life of thought, and the course that it takes is the thing that we control. We control it by choosing what is worth saying, how we ought to say it, which lines of thought we ought to pursue, and what things in the world are worth latching onto and seeking out and drinking up. In the end we will become a certain kind of person, and it is totally up to us what that person is like.
And it is incredible the complexity that is involved in this task for each individual person. Events stain our lives with certain meanings, literature makes us see ourselves as certain characters, our relationships with other individuals take on very unique natures; each person is their own entire universe, a whole world of music and thoughts and feelings, and they are the only one who has direct access to that world. And it all seems so very real. Just as the universe exploded into being, so the universe of each individual explodes into being as more and more things, people, and places assume a meaning in their life. So it seems there is no difference between the two; if the first universe is real, why not the second? Our way of thinking and the fact of the meaning of things to us seems so indelible; is its expansion, all noticed by us as the central agent observing it all, all done only to collapse on itself and vanish once over?
That seems like such a mysterious concept; it is the idea that thinking is like a dance, where having a new thought is like switching dance partners in the garish ballroom of our minds, but the fact is that we are dancing with zombies, not real people. The whole world of thought is a myth, despite its strong appearance to the contrary. Other people, the world of good and evil, the beauty of wildlife and stars, all were a mere fantasy, dreamt up elaborately for years and years, until the curtain finally closed on the inexplicable farce dancing before our eyes. Could that really be how things are?
On the other hand, to think that we are actually in the world, and that it does mean something, would be completely unbelievable as well. That all our thoughts really are a part of the grand history of the universe, and are what is important, would be to place us as agents partaking in a prodigious story that has real possibilities controlled by us as the agents at the heart of it. For history records merely public events that everyone has access to; but think of how much more in history has happened that we are not capable of inferring: the thought life of past individuals, the realness of their subjective contemplation as they mulled over the options before them that would make for public history. If the world is real, what goes on in your mind during a conversation with a friend is as much a part of the history of the world as what Caesar was thinking as he crossed the Rubicon. That is what is at stake in asking whether world is a real place, where our thoughts inhabit an extremely important realm capable of being shaped by us into something that is truly good.
Bursting with excitement while living makes us nervous that it might all be a sham. And yet, when we head toward the conclusion that our thoughts matter, we find just around the corner demands that we don't like. Our thoughts are important, but in need of extreme improvement. We need to forgive, we need to give up foolish desires, we need to think more highly of other people and less of ourselves. None of this seems what we signed up for; and so we are caught in a paradox of desires. The world is real, but to be really alive we have to die; the coffin open behind me, I rub my hands profusely and stamp my feet angrily, frustrated at this clause of the deal. Like a pathetic dignitary who refuses to give up his teddy bear, I hold on dearly to that which I couldn't keep even if I wanted to.
That seems to be the amazing world we have been put into it. These truths are large, and they are drowned out much of the time. But to really live, to believe this is true, would be magnificent. But the paradox is paralyzing, and light pollution from the apathy of other agents often obscures the stars. We get sleepy, and lose our way. That is why it is a life that carries tension in a suitcase, for we are still in the story, the decision a live one, part of it unfolding each second, and so we tremble at the realization that it is really up to us what to do.
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